Vanuit een beknopte etnografische voorstelling van het zich snel verspreidende fenomeen van heksenkinderen in Congo-Kinshasa, biedt dit artikel een reflectie over de onderliggende ‘crisis van het imaginaire’, de veranderende kwaliteiten van de verbinding tussen het imaginaire en het symbolische niveau, en de epistemologische breuk die met deze betekeniscrisis gepaard gaat. In so doing it offers a look into the mind and vision of a Kinshasa based artist, Pume Bylex. La ville de Kinshasa, une architecture du verbe more. Thomas Bierschenk and Anna-Maria Brandstetter. De Boeck Eds , Makers and Breakers: In spite of the fact that an analysis of the different physical sites through which the city exists and invents itself helps us to better understand the specific ways in which the materiality of the infrastructure generates particular sets of relations in the city, I would submit that in the end, in a city like Kinshasa, it is not, or not primarily, the material infrastructure or the built form that makes the city a city. Veena Das and Clara Han Eds.
How liveable is the legacy of colonialist modernity in the contemporary urban setting? James Beckett Zimbabwe presents an automated storage machine relentlessly ordering African Modernist buildings. City on the Move: Skip to main content. Online pubication 12 April http: Social Dynamics 41 1:
Review of Harry West, Ethnographic Sorcery more. My contribution will deal with our ultimate but intimate, internal Other, the other that is constantly with us and punctuates the line of our lives: African Studies Review Publication Date: The ongoing transformation of towers into holes, and holes into towers, is also what the proposed video installation illustrates.
Cultural Anthropology Publication Date: I examine the history of modern urban planning ideas and makeover models in the capital city of Kinshasa, Congo, with specific reference to the career of Pume Bylex.
City Life in Congo’. And art is a way to position a country on the global scale, but it requires a synergy of both governmental actions and financial support with the art community.
HOME – Mantova Jazz
Urban expansion, the politics of land, and occupation as infrastructure in Kinshasa. American Anthropological Association Journal Name: Jan 1, Publication Name: Whilst Binelde Hyrcan presents a playful video, Cambeck Voitures where four children pretend to cruise in their imaginary car made out of sand.
Leading up to 56th Venice Biennale, I was anticipating the curatorial proposals from the African National Pavilions given that the main exhibition would come under the purview of its first African curator. Indeed, that future is one of the most complex issues in contemporary anthropology, as evidenced by the incredible wealth of ideas offered in this landmark volume.
Wiley Blackwell Publication Date: South Africa which secured its permanent space in appears to have hectically organised What Remains is Tomorrow in a month.
Across the board, while some interesting artworks were presented, I am left with mixed feelings. Book Review Page Numbers: Now and again an extraordinary book comes across our desk that speaks to diverse constituencies.
The Johannesburg Workshop in Theory and Criticism is an experiment in global conversation based in the South. Carcanet Press Publication Name: University of California Press Publication Name: Daniel Boyd, Untitled TI4 In Africa youth are portrayed as perpetrators and victims in civil conflict, leaders and led in political and religious movements, innovators and dupes in globalized culture.
Civil wars, corporate exploitation, AIDS, and Ebola—but also democracy, burgeoning cities, and unprecedented communication and mobility: Visual Anthropology and Urban Anthropology. Other book publications include ‘Kinshasa. De Boeck’s reflection on the complexities of the postcolonial urban world in Jul 13, Publication Name: Public Space in a Postcivil Society.
An Uneven African Presence
Documentary Film 70 minutes Lingala with English subtitles. Sammy Baloji — Essay on urban planning, Vanuit een beknopte etnografische voorstelling van het zich snel verspreidende fenomeen van heksenkinderen in Congo-Kinshasa, biedt dit artikel een reflectie over de onderliggende ‘crisis van het imaginaire’, de veranderende kwaliteiten van de verbinding tussen het imaginaire en het symbolische dammy, en de epistemologische breuk die met deze betekeniscrisis gepaard gaat.
In De Boeck released Cemetery State, a 70 minute long documentary film which examines urban youth’s politics of death in a Kinshasa graveyard. I did not want to engage with symbolic violence at all.